Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.
During a bizarre chapter of WWII, Nazi propaganda minister Joseph Goebbels decided to make a movie based on the sinking of the Titanic. This epic film was so large in scale that the Nazis were forced to divert men, material and ships from the war effort in order to complete it. Titanic was filmed aboard cruise ship SS Cap Arcona in the Baltic Sea. The movie’s director Herbert Selpin was arrested by the Gestapo over comments he made about the ship’s crew and he was questioned by Goebbels. Selpin was found dead the next day in his cell. The Gestapo’s verdict was suicide. Titanic never received the impressive premiere that Goebbels intended, being first shown in Nazi-occupied Paris in 1943. We reveal this little known but fascinating story by looking at the making of the film, as well as the fate of the German ship Cap Arcona.
The National Socialist community "Kraft durch Freude" was a political organization with the task of organizing, monitoring and standardizing the leisure time of the German population. It is known today mainly as a vacation organization that practically brought mass tourism to Germany for the first time. The documentary shows private footage of travelers, film sequences from the Ministry of Propaganda as well as material from Eva Braun's film archive and thus provides a comprehensive insight into how vacations were organized in the Third Reich.
Short film about Hitler's rise to power in 1933
A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.
In the three years leading up to the Olympics, the Nazi regime saw sport as an invaluable mobilisation and propaganda tool to motivate the "master race". Whether sympathisers or followers, German athletes went along with it; however, a number of them came to regret their decisions.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
How, in November 1945, after the end of the World War II and the fall of the Third Reich, the international prosecutors participating in the first Nuremberg trial —formally, the International Military Tribunal— built their case against the top Nazi war criminals using the films and records produced by the own regime, obsessed with documenting everything in its long path of infamy and crime.
Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
Follows the Fifth Nazi Party Rally (Nuremberg, 30 August–3 September 1933) and shows the then close relationship between Adolf Hitler and Ernest Rõhm.
Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.
The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".
A documentary about the threat of war breaking out in Europe, focusing on Hitler, Stalin and Mussolini.
Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938
A film about the Nuremberg Party Congress of the NSDAP in 1929.
The fate of a Hungarian Jewish family throughout the 20th century.
A look at Hitler's 'Eagle's Nest' in the Bavarian Alps; a construction which survived World War II, that has now become a popular tourist attraction.
Stealing Klimt recounts the struggle by 90-year-old Maria Altmann to recover five Gustav Klimt paintings stolen from her family by the Nazis in Vienna. From the end of the War up until last year, these paintings hung in the Austrian National Gallery. The film covers Maria's early life in glittering fin-de-siècle Vienna, her dramatic escape from Nazi terror and her courageous fight to recover the five Klimt's against all the odds. Maria's fight to reclaim the paintings eventually took her to the United States Supreme Court and pitted her not just against Austria but also against the US Government which asked the Supreme Court to reject her case. After Maria finally emerged victorious in 2006, one of the paintings - the "Golden Portrait" of Maria's aunt, Adele Bloch Bauer - was sold to cosmetics tycoon Ronald Lauder for $135m, becoming the world's most expensive painting ever sold. The other four paintings were recently auctioned at Christie's for record prices.
Adolf Hitler. The most notorious villain of the 20th century and architect of history's darkest period. From his humble upbringing in Austria to leading the Nazi Party, Hitler's life saw a reign of terror descend over Europe like never before.
Everyone knows the public archive footage of Hitler. But most of it is silent. What was he saying? Special computer technology enables us for the first time to lip-read the silent film.
Propaganda film about Hitler's third flight over Germany on the occasion of the elections 1932. It shows the journey with ralleys in over 20 German cities.
Documents the major trial of the Nazi war criminals and the violent acts that they were accused of.
As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.
The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.
In September 2001, respected German historian Lothar Machtan dropped a bombshell on the world of Hitler studies: Hitler was secretly homosexual. His highly acclaimed and explosive book "The Hidden Hitler" ignited a storm of controversy. With information from the bestselling book, award-winning filmmakers Fenton Bailey, Randy Barbato and Gabriel Rotello explore areas of the Führer's private life.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
A look at the parallel lives of Charlie Chaplin and Adolf Hitler and how they crossed with the creation of the film “The Great Dictator,” released in 1940.
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944.
This riveting Russian documentary takes you inside the trials of the notorious German war criminals, brought to trial to account for their actions. The footage includes excerpts from the trials of many of the senior Nazis including Goebels and Goring.
Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.
An account of Adolf Hitler's rise and fall, his relationship with Eva Braun and their days of leisure at the Berghof, their Bavarian residence.
An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.
A propaganda film of the Nazi Party from the year of the “Machtergreifung” in 1933. The film is a contemporary interesting document that illustrates the self-perception of the party at the beginning of their importance in terms of power politics.
September 3rd, 1939. Britain and France declare war on Nazi Germany, only two days after the Wehrmacht invades Poland. This day, the sad date when the fate of the world changed forever, the Phoney War began: eight months of uncertainty, preparations, evacuations and skirmishes.
The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.
Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?
The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
Tucson, Arizona, September 1996. At the request of his son Martin, George Goldsmith tells him of his past in Nazi Germany as a member of a family of Jewish musicians and the strange history of the Jüdischer Kulturbund, a Jewish organization sponsored by Reichsminister Joseph Goebbels.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
The mass murder of Jewish people by the Nazi regime is chronicled, with a warning that anti-Semitism is on the rise and the events of the Holocaust could happen again. The history of European Jewish culture and events before and during the Holocaust are seen in newsreels, photographs, and animated segments. The words of the victims of the era are read, and footage from the liberation os a concentration camp is shown.
In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.
The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.
Countless people around the world know the pictures from Leni Riefenstahl's films, even if they have not seen them in their entirety. The work of the German director has burned itself into the collective memory. Even decades after the end of the Nazi era, she showed no remorse and presented herself as an apolitical, naive follower of the Nazi criminal regime. Her artistic service for the cinema was always recognized. But book author Nina Gladitz shows after decades of research that Hitler's favorite filmmaker was not only a follower, but also a perpetrator during the Third Reich, who instrumentalized other filmmakers such as the brilliant cinematographer Willy Zielke in order to gain fame for herself.
Prague, during World War II. Hana Kaufmann, a Jewish ophthalmologist, marries Dr. Antonín Bureš, a Christian man. When her family is sent to the Theresienstadt concentration camp, their romance turns into a struggle for survival.
Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.
“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...
Nazi leader Dr Joseph Goebbels addresses press conference, and German Chancellor and Fuhrer Adolf Hitler speaks to the gathering in German.
Even high Nazi leaders like Joseph Goebbels and Hermann Göring were almost contemptuous of this party comrad, and yet he was one of the most influential figures in the Third Reich: Julius Streicher, publisher of the anti-Semitic weekly "Der Stürmer", responsible for the worst propaganda and infamous for his corrupt and violent regime as Gauleiter of Franconia. By the Allies he was considered a symbol of Nazi hatred of the Jews. In 1946 he was sentenced to death in Nuremberg and executed.
This portrait that goes against the grain depicts the Führer as a lazy, isolated leader, cut off from reality, incapable of governing without his "apostles". They are Hitler's essential ministers, advisers, rivals, courtiers. They hate each other, and the Führer puts them in competition, often to get the worst out of them. The portraits of Hermann Goering, Heinrich Himmler, Joseph Goebbels, Albert Speer but also Rudolf Hoess, the commandant of the Auschwitz-Birkenau camp, and Doctor Joseph Mengele trace the rivalries, hatreds and predations that punctuate the entire frightening epic of Nazism. This documentary is composed of a selection of archive images and testimonies from descendants and specialists of this period.
Nazi propaganda film contrasting Germany in the days of the Weimar Republic with contemporary Germany under Adolf Hitler.
Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.
Poetry by Rudyard Kipling, John Milton, and William Blake, and excerpts from speeches by Abraham Lincoln and Winston Churchill, all read by Laurence Olivier, illuminate documentary footage of England during its defense against the Nazi blitz in World War II. This short film serves as both propaganda and as a rallying cry to the British people.
Adolf Hitler lands at the airport and is greeted by cheering crowds. He drives through the streets lined with groups of people. Fairground with crowds, Adolf Hitler arrives with motorcade. Standing next to Hitler at a lectern, several high-ranking Nazi officials (including the director general of the Reichsbahn, Julius Dorpmüller) give propaganda speeches and praise the construction of the Reichsautobahn as a successful job creation measure for thousands of workers. Hitler gets into his car and sets off on the inaugural drive on the Reichsautobahn. Other cars follow him. Arrival at another square with cheering crowds. Hitler stands at the side of the road and trucks carrying workers who helped with the construction drive past him, as well as motorcycles and mopeds.
Five Jewish Hungarians, now US citizens, tell their stories: before March 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April 1945.
On February 1, two days after his appointment as Chancellor, Adolf Hitler broadcasts a sweeping government declaration. He portrays the nation as a victim of hostile “November parties” and Communist threats, then vows Nazi remedies: restoring unity across classes, reversing left-wing “crimes,” and reclaiming Germany’s “rightful place“ among nations.
Post-war cinematic reckoning with People’s Fascism and its representatives.
Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.
Visual artist Piers Secunda seeks out Hitler's Island Slaves. Meeting families of survivors, Secunda finds new forensic evidence of murder, brutality and a British government cover-up following the Nazi reign of terror on British soil.
The Nazi propaganda mastermind behind Hitler speaks in first person as actor Kenneth Branagh reads pages of the diary kept by the chief of propaganda, Joseph Goebbels, revealing the man's most inner thoughts.