Irina Movilă

Subspecies

Three students get caught in the struggle between a good vampire and his evil brother in the Transylvanian mountains.

Pepe and Fifi

The grim realities of daily life in post-Communist Romania are described in this dark drama, which was filmed on-location in the poorer areas of Bucharest. Pepe & Fifi are brother and sister. Pepe is a struggling boxer, and Fifi is a barfly addicted to Bucharest's sleazy night life. This movie chronicles their daily lives while commenting upon the political and economic situation in Romania.

Sundays on Leave

It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?

I Am Adam

A poetic journey through the fantasy short stories of Mircea Eliade.

Death of an Artist

Two artists, father and son, are at odds regarding the meaning of their art.

Luxury Hotel

In an allegorical tale, a luxurious hotel is ruled like a communist country. The ignorant views of leaders and the social stratification are the main focus.

A Dream's Bird Ashes

Five high school graduates are followed though their life altering decisions and their consequences.

Diplomatic Siege

When Steve Mitchell is clandestinely sent to the US embassy in Bucharest, Romania to disarm a nuclear bomb that has secretly remained in the building since the end of the Cold War, little does he know that other problems will soon erupt. He must join Erica Long, a diplomatic attaché who is not all that she appears, to work together on setting the correct computer code that will disable the weapon and accomplish the mission. But while watching video monitors from inside a long-forgotten surveillance room, Steve witnesses a surprising deadly takeover of the building by the Serbian Liberation Front.

Internal Zero

Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.

Tattoo

Hunger, beatings, and poor hygiene intermingle in a women's prison, where the characters combine sisterhood, eroticism, and political fight.