Story of romance and rivalry between two ad agencies vying for the same account with a pharmaceutical firm.
A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.
At the end of the 20th century, the Earth Defense Force continued to protect the earth from aliens and monsters that invaded one after another. Returning to the origin of his successful work "Earth Defense Girl Iko-chan". With AKB48's Haruka Katayama and SDN48's Kayo Noro as cast members, nine unique beautiful girl members fight against the invaders to defend the earth.
The Japanese government sets up a special task force to fight the giant creatures suddenly appearing across the country. Soon, the squad unexpectedly meets a giant silver humanoid who starts appearing every time a space monster attacks!
A group of friends try to find success in corporate Japan.
Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.
The legendary empire of the lost continent of Mu reappears to threaten the world with domination. While countries unite to resist, an isolated World War II Captain has created the greatest warship ever seen, and possibly the surface world's only defense.
In 1976, a drifting star named Gorath is discovered to be on a collision course with Earth. Although it is smaller than Earth, its enormous mass is enough to destroy the planet totally. A mission sent to observe Gorath is destroyed after the ship is drawn into the star, with a later mission barely escaping the same fate. However, Astronaut Tatsuma Kanai is left in a catatonic state due to his near death experience. Unable to destroy the invading star, Earth's scientists undertake a desperate plan to build giant rockets at the South Pole to move the planet out of Gorath's path before it is too late.
An all-star reboot of the lost classic 1934 film, The Giant Buddha Statue's Travel Through The Country, made with the cooperation of director Yoshiro Edamasa's grandson. From Japan, a modern kaiju story based on what may be the first kaiju film.
When heads of state gather at the G8 summit in Japan, Guilala -- the intergalactic monster that had been banished from the earth in The X from Outer Space -- returns to ravage the Japanese countryside and threaten the world leaders. Military strikes prove futile against the beast, but a reporter learns that one rural community possesses a strange ritual that might influence the creature. Minoru Kawasaki directs this campy satire.
The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.
When a giant monster attacks Japan, the country's only hope is a research assistant who's become monstrously big himself. But there might be a price.
A biopic based on the production of Daiei's Giant Horde Beast Nezura, the scrapped precursor to Gamera.
Ryusuke and Joe Oki escape from prison. Ryusuke was incarcerated for killing his younger brother Yasuhiko, who was a bouncer at the cabaret "Three Cats" and Junko's lover who worked at the same restaurant. Of course, Ryusuke did not commit this crime...
A unique black comedy set in Ginza Cinepathos, a long-established movie theater that closes at the end of March 2013 while being familiar to movie fans with its retro appearance and unique lineup. Unique guests visiting the theater draw a human pattern during breaks.
Fourth entry in Toho's Wakadaishō series directed by Jun Fukuda and released on a simultaneous screening with Matango. Filmed on location in Hawaii.
The film is composed of stock footage from the original Ultraman television series with additional newly filmed content, and it served as an “epilogue” as Ultraman returns to Earth for one final battle.
Ultraman Zearth hails from The Land of Pikari in Nebula Z95. He has a big red face and dislikes dirt, and will go to great lengths to wash it off his hands. His goal is to clean the polluted Earth. He transforms with an electric toothbrush, which is consistent with his hygiene fixation. He's not quite adept at being a superhero, but at least he tries his best.
Theatrical version of episode 20 of Ultraman (1966 TV series). An enormous bird-monster is attacking motorists on Route 87. The Science Patrol discovers a supernatural link between the monster and a statue located nearby.