Claudio Da Passano

The Saint

Rubén, a humble healer, attends to his patients with extravagant and disturbing healing techniques. With the appearance of Benjamín, he becomes more popular and gains a cult following. But that fame will end up being his own hell.

Treplev

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

Martin Fierro: The Movie

At late 19th Century, the Argentinean Pampa is changing. Martin Fierro is a renegade that fights against the power and corruption that try to subordinate him and to take away his most precious value: freedom. With his strength and courage, Martin Fierro represents the fight for justice. Based on the most important book of Argentinean Literature, "The Gaucho Martin Fierro", the film intends to rescue the current value of the story and the epic character of Martín Fierro for an audience mainly young, especially students and families.

¿Dónde estás amor de mi vida... que no te puedo encontrar?

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

When I Look at Her

Javier, a plastic artist whose life goes by uneventfully, undertakes a strange project: to film his mother, an enigmatic and distant woman. He is not a filmmaker and improvises this task, which will bring an unexpected connection between the two.

La Loma: no todo es lo que aparenta

In Argentina there were clandestine human experiments covered by the military dictatorship in order to investigate the existence of life after death. Today Julian Roy escapes from prison to cover up past events. The price of this mission: Sitar, manipulate and hold incommunicate the whole town.

I'm a Girl, I'm a Princess

The story focuses on the life of a couple and their twin sons, one of whom begins to show that he identifies as a girl. From this, Gabriela, the mother, will try to understand the situation of her son who soon becomes a trans girl, thus beginning a struggle for the rights and gender identity of Luana , who will also have to face the rejection of her father Guillermo.

Argentina 1985

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

The Paradise

Rosario, 1926. Magdalena and Anna Scilko, along with a group of women from the old continent, arrive to the city with the hope of a better future, escaping the post-war period. But nothing will turn out as they had imagined. When they get off the ship they will be kidnapped by The Abramovs, a family that operates as a criminal organization, and manages the most important network of brothels in the city.

Blue Lights

Alejandro's 70th birthday unveils tensions and secrets within his gay/lesbian friend circle. Relationships evolve as truths about love, loss, and societal shifts emerge, exploring complexities that bind people together.

Necronomicon – The Book of Hell

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Pool Sweeper

In the midst of an inclement summer, Tavo works as a pool in a country town in the Buenos Aires suburbs, forming a silent part of a landscape and a community that keeps him at bay for class reasons.

Un hijo genial

A father and son, with help from their dog and parrot, chase down thieves who stole their valuable painting.

La nota enarmónica

In a dystopian Buenos Aires where the State is in charge of assigning partners to the population to increase productivity, an official from the Ministry of Matchmaking does the only thing he is forbidden to do: fall in love.

The impossible dream

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.