Two old people get married and their children from their previous marriages now have to live together under the same roof. Clashes and hilarity ensue.
An Indian princess (Marie Windsor), her adviser (Cesar Romero) and a white hunter (Rod Cameron) fight woolly mammoths. Filmed in sepia.
This film is about a poor painter named Chandrakant (Khalil) who is about to commit suicide when he meets the film star Manjiri (Sulochana). He is creatively rejuvenated by the fantasies she inspires. Manjiri's modeling sessions are used to narrate her biography: her mother was a prostitute with a heart of gold who made sure her daughter was well educated. Chandrakant and Manjiri fall in love, but he is already married and his vampish, ill-tempered wife will not set him free.
Due to her son's, Devdutt's arrest, Satyavati is unable to take the Badrinath Yatra. Subsequently, he starts to frequent a brothel to visit with a courtesan, Chandravati, and virtually refuses to do anything with his pregnant wife, Sheila. He even drinks alcohol, and assaults his father, Jaggannath, and brother, Sridhar. Things get even worse when he blinds his mother, lets Chandravati and her entourage move in their family home, and asks Sheila to serve the courtesan.
A poet who has spent life in the village with his childhood sweetheart goes to Bombay to meet a fan of his who is also a popular radio singer.
The film is based on an incredible true story about a village woman who gets lost at a railway station and waits fourteen years for her husband to come.
In order to study abroad in Great Britain, Ramesh agrees to marry a village girl named Sudha, but refuses to love her. Heartbroken, Sudha tries to kill herself, but is rescued by Shankernath, who coaches her etiquette and teaches her English so she can go to England to win back her husband. The plan seems to work perfectly, until Shankernath discovers his own long lost granddaughter, Jenny, has fallen in love with Ramesh.
In order to study abroad in Great Britain, Ramesh agrees to marry a village girl named Sudha, but refuses to love her. Heartbroken, Sudha tries to kill herself, but is rescued by Shankernath, who coaches her etiquette and teaches her English so she can go to England to win back her husband. The plan seems to work perfectly, until Shankernath discovers his own long lost granddaughter, Jenny, has fallen in love with Ramesh.
Devdutt Anand works in a company selling musical instruments, and is always late for work, infuriating his boss, I.S. Johar. Things change for the better when Johar finds out that Devdutt has a talent for writing poems, and he gets Devdutt to write and even gets them published for him. While traveling home by bus, he meets with Nanda, who has come to live in his neighborhood, and both are attracted to each other. One night Devdutt comes to the assistance to Bollywood movie actress Kalpana when her car breaks down, she finds out he is a poet and both are attracted to each other. Devdutt is asked to deliver a piano to the palatial house of a wealthy woman named Simi alias Radha Rani. She too is impressed by Devutt's poems and invites him over to her house for a party, and again both are attracted to each other. Knowing fully well that he cannot marry three women in his country, a tortured and uncertain Devdutt must now make up his mind as who he wants as his life-partner.
Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
Film starring Ruby Myers.
A girl with an MA from Oxford rejects an 'idiot' chosen by her alcoholic father, and falls for the playboy.
The Gupta period depicts battles between Ujjain and Kanauj kingdoms, featuring Amber, Prince Tikka, and Madhuri, who defeats Kanauj's commander and rescues Amber.
A silent film adaptation of the popular, yet legendary, tragic romance between Mughal Prince Salim (the future Emperor Jahangir) and the courtesan Anarkali. Their forbidden love incurs Emperor Akbar's wrath, leading to Anarkali's legendary punishment of being walled up alive. This pioneering film is considered lost.
The story follows a kind princess, facing danger from an evil prince, while a brave warrior helps her and they fell in love, but face unknown dangers.
Saamri, an evil magician, causes trouble in the lives of Prince Jalal and his princess. As the situation worsens, the prince sets out to destroy the magician.
Indian film released in 1929.
An English novelist travels to Bombay to watch one of her novels translated to film. She chases after the movie's leading man while the screenwriter chases after her.
An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.
The story revolves around the characters played by the actress Sulochana. Sulochana had eight separate roles in this film: a gardener, a policeman, a Hyderabadi gentleman, a street urchin, a European blonde, an old banana-seller and an expert pickpocket who gives her money to charity.
Sulochana is a telephone operator, a job she used to do in real life, who becomes the love object of a leading lawyer (Sandow). The problems of inter-community marriage are highlighted, as is the value of patriotism through the character of Peter, the heroine's brother (Khalil). The film also refers to collectivization movement among farmers (inspired by events in the USSR).
Indian silent film starring Ruby Mayer (Sulochana), released in 1926.
Two close friends decide to enter law enforcement – one a police officer, the other a lawyer – but their friendship begins to unravel when they both fall in love with the same woman.
An elixir brings a dead woman back to life
A silent film adaptation of the popular Gujarati play, the story follows Saubhagyasinh, the lost son of a king, who falls in love with Sundari after saving her. Their romance is challenged by Sundari's manipulative step-mother, Kumati, with Saubhagyasinh's friend Madhavsinh assisting
Kadu Makrani is a 1960 Gujarati historical fantasy film directed by Manhar Raskapur from India. The film tells the story of the historical figure Kadu Makrani, a bandit, fighting the British. The lead role was played by Arvind Pandya. The music was composed by Avinash Vyas. It was a commercial success.
A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
Rajesh Khanna plays Mumtaz's jealous husband who begins to doubt her fidelity when his best friend Sanjeev Kumar enters their lives. She is unable to convince Rajesh Khanna that she loves only him. He leaves her, not knowing that she is pregnant with his child. Depressed and confused, Rajesh Khanna becomes a homeless wanderer, while Mumtaz remarries to provide a secure home for her child. Many years later, the truth dawns on him as he turns up, a broken man, at his own daughter's wedding.
The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.
Raj Kumar is an honest, handsome and intelligent young man. Working as a painter, he is unable to earn a living. One day Raj finds a wallet containing money and returns it to the man it belongs to. Impressed by his honesty, the man employs him to work in his office as a clerk.
The story addresses the conflict between reformist enlightenment and obsolete, inhuman ritual, questioning the contemporary validity of traditional rituals. The dramatic pivot is the conflict between the king who banned animal sacrifice, and the priest who calls for the king's own blood. Emotionally, the film revolves around the childless queen and a beggar girl whose pet goat has been taken for the sacrifice and who loves a servant in the temple.
Raghuvir is a career criminal, and one day he is arrested by the Police, tried in Court, and sentenced to a long prison term. Shortly thereafter, he breaks out of prison, goes to the Judge who sentenced him, kills him, his wife, three sons, and two daughters. The Police chase, shoot him, wounded, he falls into a river and is believed to be dead. Twenty years later, Dilip, who lives a wealthy and care-free lifestyle with his widowed dad, Karamchand, is told that he has been adopted, and the person responsible for killing his dad, mom, and siblings, is Raghuvir whose body has never been found. Dilip gives up his care-free existence, takes the assistance of his friend, Ram, and goes to look for Raghuvir. What Dilip does not know is that Raghuvir is none other than Ram's father, who has been missing for 20 years. Watch what happens when Ram finds out that Dilip is going to kill his dad, and the impact this has on their friendship.
Julie is an anglo-Indian girl with a loving, but alcoholic father and a domineering mother, a younger brother and sister. She falls in love with her best friend's brother Shashi Bhattacharya, a Hindu boy, and she has a passionate encounter with him, which leaves her pregnant. He goes away to college, not knowing about her condition. Her mother is distraught when Julie tells her about the pregnancy. They don't tell the rest of the family. Her mother thinks about getting Julie an abortion, but a devout Christian talks her out of it. Julie is sent away to have her baby in secret. The rest of the family is told that Julie got a job. When she comes back home, she runs into her Hindu boyfriend and tells him everything. He agrees to marry her, but his mother objects to the mixed marriage, not knowing about the baby born in secret. Julie's mother doesn't want the marriage either, as she and the rest of the family want to go to England
In the time frame of a single day (from dawn to dust), the film records the wanderings of an Indian youth who sleeps on the beach, holds conversations with a statue of Mahatma Gandhi, and scavenges for food with his monkey. By afternoon, a little ceremony is held by well-to-do Gandhi-ites, at which a speaker delivers a sermon on "godly love"; but when the boy comes too close, he is told to move on by a guard, one of a series of exclusions of this onlooker-outcast.
The Crown Prince of Malabar dallies with Rosita whilst his people suffer at the hands of cruel Portuguese colonists. Whilst voyaging on a Portuguese ship, the Prince is captured by patriots who are rebelling against the foreign invaders. They are led by a girl called Nisha known as "The Falcon" ("Baaz"). The Prince conceals his identity from Nisha and a romance blossoms between them. Together, they rouse the people, rout the Portuguese and free the Kingdom - but can a commoner marry a Prince ?
Sudha Verma wants to be the ideal daughter for her dad, and mom. Unfortunately, her mom passes away, and her dad re-marries, this time to Kamla, who is self-serving and not at all interested to see Sudha marry and settle down. Sudha meets with Dr. Rajesh Anand, and both fall in love. All approve of the marriage, until Rajesh sees the invitation card for Sudha's marriage, and realizes that his marriage has been arranged with Sharda, and that Sudha is to marry Rakesh. Rajesh attempts to straighten this out, but idealistic Sudha does not agree as she does not want to embarass her dad. Unfortunately, Sudha marriage does not take place, as the dowry money has been stolen. Rajesh returns and hopes to marry Sudha, but finds that Sudha and her dad are missing, and are untraceable, and then returns home to find a look-alike of Sudha, who calls herself Asha, but denies ever being or knowing anyone named Sudha Verma.
Ashok, a slacker by nature, loves to play practical jokes and finds his life partner in Madhu, another joker. However, one particular joke hits a nerve and they end up being targeted by a gang of criminals.
A business man must choose between keeping his promise to marry a poor village belle, or making it big by wedding his boss's daughter: a wealthy Westernized girl who bares a striking resemblance to his first love.
Suraj and Jugnu fall in love while studying at the same college
After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali, a well-respected royal courtesan, and must decide what his main priority is.
Sunil lives with his mom and sister in a middle-class dwelling in Delhi, India. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting and instantly falls in love. The only problem, Sunil hates rich girls and this girl is very wealthy.
Aankh Micholi is a 1942 hindi movie directed by R. S. Choudhary, Starring Nalini Jaywant and Satish.
Ajay Arya, spurned in love by Sonia, takes to a life of crime and has an affair with a young woman under her tutelage.
Hero Kishenprasad is an upright engineer with a large family, including his wife Lakshmi, mother Valibai, sister Asha and son Bachoo. He gambles away his happiness and is about to be jailed for embezzlement when he is saved by an honest fellow employee, Hamid, who takes the blame. The villains are his secretary Kassum and Sukhlal, a rich man who wants to marry Asha. When his advances are spurned, he alleges that he had an affair with Kisheprasad's wife, Lakshmi.
A mystery woman (Sulochana) takes on multiple disguises in a battle against a murderous crime ring.
The King of Yemen, after gaining the ability to speak with animals, tragically discovers he's accidentally thrown his son into the ocean. He tells his Queen, then mysteriously becomes incapacitated. His only cure: a magic flower from the mouth of Princess Meherangez of Sistan. Heroic Prince Umar sets out to retrieve it.
A fantasy drama exploring the fleeting nature of life, dreams, or illusions
In a Rajput-style court, the king's younger wife, Taramati, is condemned for infidelity, and her son Chandrakumar is sent away. The king's elder wife has twins: Princess Chanda and the deceitful Jaisingh, who is later revealed to be an imposter. The romantic outlaw Rohil helps restore order to the kingdom, delighting Princess Chanda. It is eventually discovered that Rohil is the long-lost son of the good chief Sajjan Singh. The film features elaborate scenes of a tiger hunt and a cheetah taking away an infant Rohil.
The epic starts with the mighty illusionist Ghatotkach, son of Bhim, accidentally clashing with and reviving his cousin Abhimanyu. As newfound allies, the two launch a daring abduction to rescue Surekha from a forced marriage by the Kauravas, triggering a monumental crisis that demands the direct intervention of Lord Krishna himself.